Сообщений в теме: 1986

[Роман]

Есть-то есть, да все же не в ДВД-качестве. Пезарскую снимали, выпустят рано или поздно.

[Борис]

А пезарская с новым квинтетом?

[Aragion]

А пезарская с новым квинтетом?

Да.

[Роман]

Льежская тоже, но без двух арий ди сорбетто сомнительного происхождения.

[Роман]

[Reznikers]

 

[Reznikers]

[Reznikers]

[Reznikers]

[Роман]

Ну наконец-то буквоедского Цезаря выпускают! Сколько лет тянули... Постановка там, конечно, на любителя...

А вместо Альчины из Экса лучше бы дали Ариоданта, и особенно - Турка. Неужели их не собираются выпускать вообще?

[Reznikers]

 

 

Margo, спасибо за информацию

[Роман]

[Aragion]

А это какого года постановка? не видел...

[Роман]

Прошлого, кажется.

[Роман]

 

Все-таки бывают видива из ДО! Это дает слабую надежду, что и Ваську когда-нибудь выпустят...

[olean_a]

 

 

https://www.amazon.c...ef_=tsm_1_fb_lk

 

Может уже об этом сообщали?

[Роман]

 

 

Artist(s):
Anderzhanov, Baurzhan; Cantó, Guiomar; Cardoso, Carlos;Chuprinova, Olesya Berman;D'Agosto, Annalisa; Giordano, Laura; Marianelli, Alessandra;Mchedlishvili, Sofia; Mihai, Bogdan; Mironov, Maxim;Myshketa, Gezim; Osterc, Lucas Somoza; Palazzi, Mirco;Pizzolato, Marianna; Praticò, Bruno; Sargsyan, Artavazd;Simone, Bruno de; Watanabe, Yasushi

In the context of its successful collaboration with SWR and Naxos this presented the Festival with the opportunity of releasing the complete opera on CD for the first time and in accordance with the critical edition. Below are a number of variations from the established “performing tradition” and from the two “historical” recordings by Claudio Abbado:

– The musical quotations from Mozart, Haydn, Beethoven and Bach in the recitative before the Countess of Folleville’s aria were an inventive addition to the 1984 production but they did not come from Rossini.

– The eight verses in Corinna’s third stanza in the sextet were often reduced to two.

– The chorus L’allegria è un sommo bene [CD 3 / 6] in the finale is missing in previous recordings because the music for it had not yet been discovered. Later Philip Gossett had identified a model for it in the girls’ chorus from Maometto II and for a while this number was performed as a women’s chorus. Now however it has been reconstructed for the critical edition as a mixed chorus.

– In Lord Sidney’s extended cadenza in the British national anthem Rossini put the words “basta, basta” (“enough, enough”) into the mouth of Baron Trombonok (this “gag” was not included by the librettist). In many performances these words are spoken by others or even by the conductor.

– In earlier recordings, during the French anthem, sung by Folleville and Belfiore, the trumpets blare out the Marseillaise from the orchestra pit after the Countess’s cadenza. This was certainly no impertinent gesture on Rossini’s part against the Bourbon king but a pure invention of the 1984 production; during the restoration of the monarchy the playing of the revolutionary hymn was a criminal offence.

– Rossini had earmarked five stanzas to be improvised by Corinna (in the melodic sequence ABA’B’A’’, which naturally required variations in their repetitions, for which we owe thanks here to Francis Benichou). Contrary to current practice the third and fourth stanzas are not cut in Wildbad.

– All the recitatives are recorded in their entirety.

– In Bad Wildbad the two short sections of ballet music which interrupt the final variations of the theme “Vive Henri IV” are not cut.

[Reznikers]

[opera19962010]

!!!!!
Хочу, хочу, хочу!

[emilia]

!!!!!
Хочу, хочу, хочу!

Все хотят.

И Воццека ещё!

[Роман]

 

Вот только про world premiere врут - было же безобразие с Михаэль и Варгасом.

[Reznikers]

 

 

Ermonela Jaho (Zaza); Riccardo Massi (Milio Dufresne); Stephen Gaertner (Cascart); Patricia Bardon (Anaide); David Stout (Bussy); Nicky Spence (Courtois); Kathryn Rudge (Natalia); Simon Thorpe (Duclou); Fflur Wyn (Floriana); Julia Ferri (Toto); Renato Balsadonna, Chorus Director; BBC Singers, BBC Symphony Orchestra, Maurizio Benini - conductor

 

Opera Rara’s revival of Zazà is based on Leoncavallo’s own 1919 revision of his score which has been carefully researched by Maurizio Benini.

[Aragion]

Даже видео! а просто звук будет?

[Reznikers]

Даже видео! а просто звук будет?

 

 

 

http://www.dynamic.i...edea in Corinto

[Aragion]

 

Даже видео! а просто звук будет?

 

 

 

http://www.dynamic.i...edea in Corinto

 

Отлично, спасибо!